The Art of the Memoir

My mother was the first person who taught me how to use words to survive.

Kiese Laymon Writer

Full Session

The Art of the Memoir 51m 12s

Featured Highlights

Memoir: Searching for Truth or Storytelling 6m 10s

The transcendent qualities of memoir 4m 29s

Grasping for the Truth 1m 44s

What is the purpose of memoir? 3m 16s

Session

The Art of the Memoir

Key Moments

Watch now 51m 12s

Setup

Great memoirs implicitly tackle the subject of identity, weaving together a cohesive self from a jumble of experiences, influences and, yes, imperfect memories. But what propels authors to write a memoir, and what compels us to read them? Join three masters of award-winning and best-selling works who dared such examination and reflection as they discuss the risks and rewards of writing a memoir.

Speakers

Ideas

Why write a memoir?
Seek honesty, not truth
Is there a ‘greater good’ for memoirists?
Hear for yourself: author readings

2019 Festival
Arts

Why write a memoir?

Seek honesty, not truth

Is there a ‘greater good’ for memoirists?

Hear for yourself: author readings

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01:55

Publishing a memoir means sharing deeply personal stories for anyone to read. Sure, memoirists get to choose what they write, but it usually takes a pretty compelling story to make it on bookshelves. So why would anyone share stories that could bring all sorts of scrutiny to not just their lives, but the lives of people close to them? Writer Richard Blanco explains:

Why write a memoir?

Richard Blanco

Memoirs allow artists to discover things about themselves. Some confront childhood trauma, others broken relationships or newfound joy. But Blanco says the act of writing, rewriting, and codifying those feelings in a text helps bring clarity and closure.

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12:29

Our memories are fickle at best, and if you ask two people to describe the same event you’ll always get different versions. Author Kiese Laymon says that when readers approach memoirs expecting hard facts, they’re bound to be let down. Instead of some quixotic pursuit of truthfulness, Laymon explains that he strives for honesty and integrity in his writing:

Seek honesty, not truth

Kiese Laymon

“It hurts when your version of truth collides with somebody else’s version of truth,” says Laymon. By transcending a strict adherence to truth, memoirists can write a story that, in some ways, more honestly reflects a situation than an attempt at truthfulness ever could.

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41:14

Do memoirists think of the impact that their stories might have? When they’re writing a work, do they think of how it will be received and what good might come of it? In response to an audience member wondering what kind of thought goes into impact, the whole panel weighs in:

This excerpt has been lightly edited for clarity

Dani Shapiro: If I was sitting down to write thinking I was going to help people, I wouldn’t write as well… I’m trying to connect with people. This new book of mine is helping people, but as I was writing it, I was trying to tell the story and trying to place the story in a larger context. So there’s an extraordinary experience in realizing there’s a purpose to it, but a self-consciousness can set in if a writer sits down to think, ‘Now I’m going to sit down to help people.’
Richard Blanco: I think ‘connect’ is the perfect word.. and when those moments happen it’s great, but that’s not what keeps us writing per se. It is, though, just knowing and trusting that your honesty and life will be a mirror to someone else. That’s why we do what we do, but not consciously
Erika Mallin: [to Laymon] But do you feel that way?
Kiese Laymon: I definitely feel like it’s for a greater good… The act of writing books to [James] Baldwin, to my mother, to Margo Walker Alexander, is a liberatory act because I was aggressively taught not to see those people as audience to whom I could write. Your audience sort of dictates, I think, the integrity and calibrations of your art. So I’m definitely trying to write to black folks in the deep south, I’m trying to write for black folks in the deep south, with an understanding that people outside the deep south will take part in it. But I know who my primary audience is.

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26:59

There’s something about hearing an author’s work in their own voice than can bring a whole new meaning to a story. Hear Kiese Laymon, Dani Shapiro, and Richard Blanco read excerpts from their own works:

Kiese Laymon reads from Heavy:

Kiese Laymon

Dani Shapiro reads from Inheritance:

Dani Shapiro

Richard Blanco reads from The Prince of Los Cocuyos:

Richard Blanco

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Additional Information

Resources

book

Inheritance: A Memoir of Genealogy, Paternity, and Love by Dani Shapiro

book

Heavy: An American Memoir by Kiese Laymon

book

The Prince Of los Cocuyos : A Miami Childhood By Richard Blanco

website

A Memoir Is Not a Status Update — New Yorker

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